| "Tang" - The Case of the Wingless 
	Angel- © Peggy WhiteneckCollector Brenda McCrary sent me 
	a set of pictures of a child in a 
	long white gown, seated and holding a tambourine (pictured below right). Note the Tang sticker on the 
	front of the item.
	
	Collectors who are very familiar with older items in the NAO brand would
	have a strong sense of dejá vu in looking at this item, which appears to be none other
	than NAO's "Angel with Tambourine" (NAO model #11), only without the wings!Left, frontal view of child with tambourine with Tang 
	sticker.
	Right, frontal view of NAO "Angel with Tambourine" with wings clearly visible.
	The models would appear to be otherwise identical. (Any subtle differences noted in the facial detailing
	would be a function
	of camera angle.)
 
 
 
 It seems clear that the same sculptor was responsible for this
	 child with tambourine, with or without the wings. This and other examples 
	 of inter-brand cross-fertilization in Lladró raise a number of 
	 "which-came-first-the-chicken-or-the-egg" questions
	 about the direction of the influence. In this case, were Tang artisans
	 copying early NAO models? Or was Tang the originating brand for the model - in
	 which case Tang would have to have been pretty old indeed, since production
	 evidence suggests that NAO has been around about as long as Lladró's
	 regular collection? Or were Lladró sculptors working in both NAO and Tang 
	 at once? 
	  
 
 Left, back view of Tang child with tambourine - no wings. 
 
 Deepening the mystery, collector Jim Algeo shared with me the photos of 
	 figure and base of a genuine Tang 
	figurine of a boy with lambs (pictured below) that looks very like the regular collection 
	Lladró model #4509, "Boy with Lambs" but whose minor differences prevent us from
	concluding that it is a clone/identical twin. (Differences include the posture
	of the boy's legs and the position of the lambs.) 
	It's a lovely model and, as it
	so happens, has a Tang mark in a cobalt blue backstamp! (This is unusual 
	because Lladró has seemed, in all other cases, to have reserved the
	cobalt mark color to items from its regular collection.) The modeling of the lambs is particularly delicate, and the legs on the 
	standing 
	lamb are an example of the kind of modeling risk almost never found in 
	non-Lladró
	brands - both because most companies lack the skill and because production 
	costs are higher for items with separately articulated limbs. 
	
	 At right, collector Paul Crawford
	has graciously supplied a photo of a Tang in his own collection that also has the Tang cobalt blue mark.
	Although the model is very like Lladró model #4510 ("Girl with Umbrella"), there are
	notable differences - such as the reverse orientation of the entire figure 
	(Lladró #4510 has the basket on the model's right and the umbrella on her left),
	the scarf across the lower part of the face on the Tang model, and the
	slightly different orientation in the two models of the arm holding the basket. 
	(Collector Teresa Bennett
	has an identical model to this Tang but
	with an impressed Lladró mark. It's not unusual for Lladró to make modifications 
	in its models, and it's likely that what we eventually came to know as core collection model #4510
	began its life as this variant.)
	
	     
 Lladró customer service staff in Spain, in response
	 to continuing collector questions, have lately agreed
	 that some of the most famous core collection sculptors also created several (perhaps all?) of the
	 early NAO models. So it's not all that surprising to see these kinds of affinities
	 between Tang and NAO as well. 
	
	 
	  So what does that all mean for collectors? Well, speaking strictly for myself,
	 I don't care what brand label they slap on it (Lladró,
	 Tang, NAO, Rosal, Zaphir...): With apologies to Gertrude Stein, a Lladró is a Lladró is a 
	 Lladró.
 
 
	
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